Shelley Burr talks about creating the third instalment in her gripping Lane Holland series and the pitfalls of modelling a sinister commune on your own farm.
A disgraced Private Investigator embarks upon a risky undercover job in the hope of solving an important cold case and maybe saving himself in the process.
This quintessentially Australian true crime story has captured the world's attention with hit documentary, Last Stop Larrimah. We speak to the two women who kickstarted it all.
In 2019, Geraldine Brooks’ husband passed away, suddenly, shockingly. Now, the much-loved and award-winning author bares her soul in a new memoir, and in this exclusive interview with The Weekly.
“Fear has never stopped me doing anything,” says Lynda La Plante, including writing a gripping, tell-all memoir and giving a sneak preview to The Weekly.
Susannah Begbie lives and writes on Ngunnawal and Ngambri land. The Deed is set in Wiradjuri Country. She chats with The Weekly about balancing her dual careers of doctor and author, life on the land and how she started writing.
When looking for a word to describe the latest project from Melanie Lynskey, “harrowing” comes to mind. The prolific Kiwi actress is no stranger to creating impactful and thought-provoking characters. But in playing real-life author Heather Morris in the small-screen adaptation of The Tattooist of Auschwitz, she found herself smack bang in the centre of […]
Sam Bloom had always wanted to share her love of Africa with her three boys and last Christmas, 10 years after the accident that left her in a wheelchair, that dream finally came true.