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Nicole Kidman is considering a surprising career pivot

She admits that it "sounds a little weird."
Australian actress/producer Nicole Kidman promotes her upcoming film "Practical Magic 2" during the Warner Bros presentation at CinemaCon at The Colosseum at Caesars Palace in Las Vegas, Nevada, on April 14, 2026. (Photo by Chris Delmas / AFP via Getty Images)

Oscar-winning Australian actress Nicole Kidman has revealed that she is considering a career change. She is learning to become a death doula. And she admits, it’s “a little weird.”

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What is that I hear you asking? Well, just like how a birth doula helps to bring life into the world, a death doula helps people into the next stage of their life: death.

This decision was inspired by her mother, Janelle Kidman. She sadly passed away in September 2024 at the age of 84.

“As my mother was passing, she was lonely, and there was only so much the family could provide,” Nicole said to the San Francisco Chronicle.

“Between my sister and I, we have so many children and our careers and our work, and wanting to take care of her because my father wasn’t in the world any more, and that’s when I went, ‘I wish there was these people in the world that were there to sit impartially and just provide solace and care’.”

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Those people do exist: death doulas. Now, inspired by that experience, she’s hoping to provide care to others. However, it’s unclear if this new career pivot will impact her filming career. She hasn’t shown signs of slowing down with Practical Magic 2 coming out in September 2026 and the television series, Margo’s Got Money Troubles, which came out in April, 2026. Other upcoming projects on her roster include the next season of Big Little Lies and Scarpetta.

LAS VEGAS, NEVADA – APRIL 14: Nicole Kidman promotes the upcoming film “Practical Magic 2” at the Warner Bros. Pictures presentation at The Dolby Colosseum at Caesars Palace during CinemaCon, the official convention of Cinema United, on April 14, 2026 in Las Vegas, Nevada. (Photo by Ethan Miller/Getty Images)

In the October 2017 issue of The Australian Women’s Weekly, journalist Caro­line Baum met with some other Australian death doulas. In her feature, Caroline wrote that death doulas “prepare the way for the final journey with empathy and love.”

Read on for that feature.

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Why are we so scared of death?

When Ge­or­gia Zweep learned her 12-year old daugh­ter, Mar­got, had only weeks to live as a re­sult of ter­mi­nal brain can­cer, she turned to a stranger to help her pre­pare for the worst. “I wanted to know what the rules were about dy­ing at home,” Ge­or­gia says, “as that was Mar­got’s wish and I knew I’d be too pre­oc­cu­pied with my grief to be able to think clearly. I also didn’t want any­thing cor­po­rate, re­li­gious or for­mu­laic.”

In­stead, she called Vic­to­ria Spence, a Syd­ney-based cel­e­brant who has gained a rep­u­ta­tion for con­duct­ing highly in­di­vid­ual funeral cer­e­monies and help­ing the fam­i­lies of the dy­ing through ev­ery stage of their loss.

Vic­to­ria is at the van­guard of a grow­ing trend: women who have ded­i­cated them­selves to of­fer­ing us a dif­fer­ent way of ex­pe­ri­enc­ing death. Of­ten de­scribed as “Death Doulas”, th­ese women con­sider their role as more of a vo­ca­tion than a ca­reer.

They are part of a quiet revo­lu­tion that’s reached Aus­tralia from the UK, Canada and the US, where at­ti­tudes to death have seen a grad­ual shift to­wards greater aware­ness and choice. You could say that death is get­ting a makeover – or a re­birth.

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Vic­to­ria, 52, brings her ex­per­tise from a back­ground in the­atre to her work, while stay­ing out of the spot­light. “My role is to make ev­ery­one feel calm, safe and able to ex­press what­ever emo­tions they need to share,” she says. To meet Vic­to­ria is to ex­pe­ri­ence her seren­ity – she ra­di­ates an ex­cep­tion­ally calm fo­cus. “She was car­ing and gen­tle ev­ery step of the way,” says Ge­or­gia. “Vic­to­ria pro­vided a buf­fer be­tween us and the funeral home she chose to work with, which matched her sen­si­tiv­ity. It was a very in­tense re­la­tion­ship, made more so be­cause it was for a child. She even went to Mar­got’s school and talked to her year about what was hap­pen­ing, to help them un­der­stand.”

Be­hind the scenes, Vic­to­ria, a sin­gle mother, has been a mover and shaker in the emer­gence of the Death Doula move­ment for more than a decade. Like many who pur­sue this path, she was search­ing for al­ter­na­tives af­ter her own bad per­sonal ex­pe­ri­ence.

“My fa­ther died when I was 26,” she says. “The funeral was a de­ba­cle. There was no view­ing and the cel­e­brant got his name wrong. My grand­mother died a month later, her life re­duced to garbage bags all bun­dled up too quickly. It made griev­ing so hard; there was noth­ing to hold onto. Then, eight years later, when Mum died, we did it right, and I was able to heal.”

To­day, Vic­to­ria, who has a de­gree in Death, Dy­ing and Pal­lia­tive Care, is in high de­mand, charg­ing an hourly rate of $150 for a con­sul­ta­tion and $1800 for a full funeral cer­e­mony, which can in­clude or­gan­is­ing all the lo­gis­tics and help­ing fam­ily and friends to craft and de­liver a eu­logy. There is no set pat­tern to the num­ber of hours a client may re­quire, with Vic­to­ria es­ti­mat­ing her ser­vices can take be­tween 12 and 40 hours, de­pend­ing on the com­plex­ity of the sit­u­a­tion and the need for fol­low-up care.

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Victoria Spence, PHO­TOG­RA­PHY ALANA LANDSBERRY STYLING BIANCA LANE

Ini­tially, she is of­ten called to the bed­side of clients to dis­cuss their wishes and fears. “Moth­ers and the very young are the hard­est,” she says, hav­ing con­ducted rites for chil­dren killed in tragic cir­cum­stances.

“Some­times I have to be able to con­tain the grief of an en­tire com­mu­nity that’s been trau­ma­tised,” she says, “or cope with com­plex fam­ily dy­nam­ics. No mat­ter how vi­o­lent or up­set­ting the cir­cum­stances, my be­lief is al­ways that be­ing in­formed and in­volved is heal­ing, whereas de­nial is not.

“I can help map how it will play out, what the op­tions are at ev­ery stage, from help with ac­cess­ing care to de­sign­ing a funeral. I also pro­vide fam­ily fol­low-up – you don’t just walk away from the priv­i­lege of peo­ple giv­ing you their trust.”

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Part of her mis­sion is to de­mys­tify dy­ing. “I’m there to re­move the ta­boo when it comes to ques­tions like, ‘How long can I keep a body in my home be­fore it smells?’” says Vic­to­ria. In a move that shocked many, in­clud­ing those in the funeral in­dus­try, she im­ported cool­ing plates for home view­ings. Peo­ple were ini­tially hes­i­tant, but the plates have since be­come pop­u­lar. “They’re great for fam­ily vig­ils. At first, I was do­ing about five a year, now it’s about 30.”

Vic­to­ria sees her role as help­ing re­con­nect clients with long-lost wis­dom. “My grand­mother knew how to lay some­one out,” she says. “In the 20th century, we for­got more about dy­ing than at any other time. We have a short-term mem­ory that’s erad­i­cated pro­found an­cient knowl­edge. I want to help un­cover that again.”

She has also had men­tors who have helped her re­fine her skills. One is Zenith Vi­rago, 60, re­garded by many as a tribal elder of the Death Doula com­mu­nity. Versed in the rites of In­dige­nous cul­tures around the world, Zenith cheer­fully de­scribes her­self as a hip­pie les­bian. It’s no sur­prise she lives at the epi­cen­tre of al­ter­na­tive cul­ture in By­ron Bay, NSW, where she has taught and prac­tised a holis­tic aware­ness of death for 20 years. Like Vic­to­ria, she has a gift for be­ing ut­terly present, as if she has time only for you.

Zenith’s busi­ness card, if she had one, would de­scribe her as a death­walker, ac­com­pa­ny­ing the dy­ing on their jour­ney. It’s a prac­tice she teaches through the Nat­u­ral Death Care Cen­tre, which runs pub­lic work­shops across Aus­tralia and New Zealand.

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Death has been a part of Zenith’s life since child­hood. She played among the head­stones in the south Lon­don ceme­tery where her grand­fa­ther was the chief gravedig­ger.

“Then, in my 20s, I saw AIDS, a plague that came from sex and love, dec­i­mate many of the young gay men I was liv­ing with,” she says. “I stud­ied Bud­dhism, which has a lot to teach us about dy­ing and also about be­ing present. I was 36 the first time I went to iden­tify a friend’s body and saw her life leave her phys­i­cal be­ing like a vapour. So, I vol­un­teered to con­duct the funeral for her hus­band. Af­ter­wards, I ex­pe­ri­enced a kind of eupho­ria and re­alised that this was my call­ing.”

De­spite all the New Age woo-woo that in­evitably finds its way into con­ver­sa­tions about al­ter­na­tive ways of fac­ing death, Zenith is re­fresh­ingly di­rect.

“I’m not a carer, I don’t do the daily hands-on stuff,” she says. “My prac­tice is to help trans­form fear into ac­cep­tance. Some­times that means deal­ing with anger. I try not to feed neg­a­tive emo­tions. In­stead, I act as a cir­cuit-breaker if there is con­flict.”

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Her forth­right opin­ions help to con­front the re­al­ity of just how far con­tem­po­rary society has drifted in its de­nial of death. “Our cul­ture kids us we’re for­ever young,” Zenith ex­plains. “We need to own our age to own our death. We talk about the loss of dig­nity when our body lets us down, but dig­nity isn’t a phys­i­cal con­di­tion.”

Zenith, image supplied

And don’t get her started on the way grief is ex­ploited as a source of prof­itable en­ter­prise. “It’s be­come an in­dus­try, as if know­ing that some­one is suf­fer­ing and is worse off than our­selves makes us feel more alive.”

Most of Zenith’s clients are women, who seem to have a greater open­ness to the mys­tery of death, per­haps be­cause of their ex­pe­ri­ence as life­givers. Many have lost chil­dren. Many want to par­tic­i­pate ac­tively in dy­ing.

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“They’d like the choice to be con­scious and refuse mor­phine,” Zenith says, “but that’s just an­other form of pres­sure, like the ex­pec­ta­tion all moth­ers should choose a nat­u­ral birth and refuse epidu­rals. If I were in se­vere pain, I’d take any­thing that helped. There’s no right or wrong way.”

While Vic­to­ria and Zenith are ex­perts, Imo­gen Bailey is a novice Death Doula. She started her train­ing at the Aus­tralian Doula Col­lege.

Like Vic­to­ria, she has a back­ground in per­for­mance as an ac­tor – she starred on Neigh­bours – and model. She also has a fear­less cu­rios­ity about hu­man na­ture. As she demon­strated in the sec­ond se­ries of the con­tro­ver­sial SBS re­al­ity show Go Back Where You Came From. It prompted her to be­come in­volved in refugee ad­vo­cacy and em­bark on a pro­gram of per­sonal devel­op­ment that ex­plored ev­ery­thing from hard­core Vi­pas­sana med­i­ta­tion to ec­static dance and drumming.

“Be­ing sent to the most dan­ger­ous place on earth in Mogadishu [So­ma­lia, for the SBS show] was a real wake-up call,” says Imo­gen, 40. “It con­fronted me with death face-to-face.” Shortly af­ter her re­turn, Imo­gen met Re­nee Adair, the founder of the Aus­tralian Doula Col­lege. She then be­gan to study how to as­sist at births and deaths. To­day, through her Hon­our­ing Heart web­site, she of­fers a range of work­shops, with an em­pha­sis on the quest for mean­ing.

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There was an el­e­ment of per­sonal heal­ing to her mis­sion. “When my grand­mother died, she was spe­cific about what she wanted,” says Imo­gen. “Even though I was only 11, I was struck by how much eas­ier that made it for the fam­ily to cope.

“My un­cle took his own life in 2014 af­ter a bat­tle with can­cer and de­pres­sion. It made me re­alise how much we still keep death hid­den.”

Imo­gen has now as­sisted at three deaths un­der the su­per­vi­sion of a se­nior doula. “It starts with lis­ten­ing,” she says. “I might also mas­sage the hands, which can be re­lax­ing and make a per­son feel com­forted.

“Some­times all they want is help with choos­ing the mu­sic they want at their funeral or the free­dom to go in a dif­fer­ent di­rec­tion spir­i­tu­ally than their fam­ily. We’re not there to pro­vide med­i­cal ad­vice or in­ter­vene in treat­ment, but we can help clar­ify choices and op­tions. It’s dif­fer­ent ev­ery time, there’s no for­mula.”

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While Imo­gen is less ex­pe­ri­enced than Vic­to­ria or Zenith, she shares their abil­ity to project em­pa­thy and con­cern. Even over cof­fee in a busy in­ner-city shop­ping mall, she seems able to ig­nore the bus­tle of shop­pers. Plus the in­sis­tent beeps of her mo­bile phone. There is some­thing com­fort­ing and re­as­sur­ing about her pres­ence. She is an old soul in a young body.

For Ge­or­gia Zweep, hav­ing a Death Doula as­sist in her mo­ment of great­est sor­row was a de­ci­sion that has helped her to ac­cept her daugh­ter’s death more eas­ily. “It al­lowed me to re­frame the loss and gave me a solid foun­da­tion on which to build mem­o­ries, rather than be­ing left car­ry­ing around a deep wound. With the right help, you can come back from mourn­ing.”

This feature originally appeared in the October 2017 issue of The Australian Women’s Weekly. Subscribe so you never miss an issue.

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